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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with vocalist Marc Almond, the team scored a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He subsequently formed the innovative electronic act The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his rest at his home in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that show, Ball performed in a wheelchair, as he had for the last two years, following a spate of ill-health.

"I managed to damage myself quite a bit," he stated in 2023. "I broke spinal bones in my spine and fractured about five ribs and fractured my wrist."

After contracting a lung infection and suffering from sepsis, he was placed in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the warmer months, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the new album that we literally completed only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was all set to be such an positive time for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense aspect of my existence and for the songs you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is distinct from being in a group, the bond is very tight," he continued.
"That's how it was with us. We experienced so many remarkable, incredible, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Born into a one-parent family in the city of Chester in 1959, Ball was put up for adoption when he was a year and a half of age.

He grew up in Blackpool with his new family Donald and Brenda Ball, who altered his first name from Paul to his adopted name, alongside his sibling Susan, who was also adopted.

He met Almond at an art college in the late 70s, where they were both learning fine arts. Inspired by a mutual passion of Northern Soul, they established Soft Cell the very year, and quickly recorded an extended play.

Musical Partnership

The duo were an distinctive combination: Ball was the reserved musician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they attained a unique musical alchemy.

Ball had cultivated a interest with synthesizers after watching the band Kraftwerk perform on a television program Tomorrow's World, and began to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second biggest-selling single of the early 80s, selling 21 million copies globally. Together with hits by Gary Numan, contemporary bands and electronic acts, it contributed to paved the way for the electronic music style of the 80s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were working on new material until just before Ball's death

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my initial property, having financial security and travelling, which might seem like a Miss World," Ball not long ago shared with a music magazine.

But it also caused challenges. "Sudden riches meant we could purchase substances to alleviate the monotony" of media interviews and television shows, Ball said.

"I realize that's a cliché, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the party-filled existence, the pair were also drifting apart, but they managed to create a follow-up classic album - the unconventional, tense and fittingly named The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, producing the charting record Cruelty Without Beauty.

Following another break, they returned in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, that year.

However, they remained active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the band's new album as a tribute to the New York club scene they frequented while recording their initial records.

He noted that his time in medical care had shaped the band's sound.

"I had unusual memories when I was coming and going of the hospital because I was on morphine," he explained to a publication.
"The new songs are a electronic representation of the sounds in my head from those days.
"In parallel, it's about the times we got up to in the 1980s."

The final mixes were completed only a short time before Ball died. It is due for launch in the spring of 2026.

The writer

Lori Munoz

A policy analyst with over a decade of experience in UK public affairs, focusing on legislative impacts and societal trends.

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